nm0086: right so this is a picture of Edward Thompson er at a peace movement rally in nineteen-eighty-one i think er in Trafalgar Square and i put it up there to make as it were very pointedly the point from the start that Thompson is nothing if not a committed historian let me start by telling you a bit about his biography er he grew up in a household that was full of Indian independence agitators his father was a writer a poet a missionary in India er an anti- imperialist campaigner a friend of Nehru's so Thompson's er childhood spent near Oxford was er very much in a kind of political anti-imperialist world he was educated at a Methodist public school he went to Cambridge er he started reading English which is significant and then he switched to History er he was called up this was during the war he was called up er he fights in a tank regiment in Italy and then in France and he goes back to Cambridge after the war to finish his degree in his first er er er period in Cambridge he joined the Communist Party er following the example of his elder brother who again is significant Frank Thompson Frank Thompson was a kind of romantic hero for his for Edward er during the war Frank served in the Special Operations Executive er which was er organizing er er liaison with partisans in the Balkans er er he was parachuted in behind enemy lines and he was er shot by the Germans er after he'd er teamed up with some Bulgarian partisans in nineteen- forty-four and they got themselves captured by the Nazis and he was executed Frank's death er cemented an emotional link for his younger brother who admired him hugely er an emotional link with the wartime resistance movements in occupied Europe that were to be the touchstone of Thompson's politics throughout his life okay war's over he's got his degree from Cambridge nineteen- forty-eight he moves to Halifax with his wife Dorothy Thompson who's another Cambridge historian and also a communist er they take up jobs in the W-E-A in adult education and er over the next decade or so Thompson is active as a communist in the West Riding peace movement and labour movements er and out of that comes his sense of who he's writing history for his sense of a popular audience it isn't academia that Thompson wants to address primarily his first two books were written out of his adult education teaching er and for that audience a biography of William Morris in nineteen- fifty-five which evokes the kind of fervour of the religion of socialism of socialist commitment in the eighteen-eighties and eighteen-nineties and his second book his most famous book The Making of the English Working Class in nineteen-sixty-three which is about the formation of and many of you will have looked at it about the formation of working class consciousness in England in the seventeen-nineties to the eighteen- thirties very much rooted in evidence from West Yorkshire where he was living and teaching now one key influence on Thompson's writing during the late nineteen- forties and early nineteen-fifties was the Communist Party British communism of course was a very marginal political force but it had a highly significant impact on intellectual life both in Britain and beyond because the Communist Party fostered a group of Marxist historians who were among the most distinguished of Britain's post-war historians Rodney Hilton medieval history Christopher Hill and the English Revolution Eric Hobsbawm er and Edward Thompson would be the biggest names among them but there were others as well other significant historians coming out of the Communist Party er for most of these people nineteen-fifty-six was the crunch year when they did their reckoning with official communism that's to say the year when Khrushchev made his famous speech about Stalin's crimes and when the Soviet Union invaded Hungary Thompson was to play a leading role in the breakaway of intellectuals from the Communist Party at that time and he was central with other ex-communists in establishing what became known as the new left an attempt to work out a kind of post-Stalinist democratic Marxism that was non-sectarian and above all was non-aligned in the Cold War that didn't see Moscow as any better than Washington Thompson's a-, and the major political intervention of this new left coming out of the er the breakaway from communism in nineteen-fifty-six was the first wave of the Campaign for Nuclear Disarmament ch-, between late fifties nineteen-fifty-nine nineteen-sixty-four and in fact it was just at the end of that period i first met Edward Thompson on an Aldermaston march the f-, second one i went on i think but i was amazed to find myself er walking alongside this fellow whose book i'd just been reading and he talked exactly like he wrote i couldn't understand how a man could be quite that eloquent in just ordinary conversation i'll give you more of these little personal insights as we go along right er in the same year er nineteen-sixty-five that i met him on an Aldermaston march he was appointed as one of the first members of namex's History department and he stayed at namex until nineteen-seventy-two establishing the Social History Centre and developing the insights of The Making of the English Working Class back in time essentially er working on crime and the link between crime and popular protest er he got together a group of graduate students er they collectively published a book o-, of essays Albion's Fatal Tree in nineteen- seventy-five and in and in the same year Thompson published the book that will be the text for the course er Whigs and Hunters in nineteen-seventy-five now the job at namex was Thompson's only full time academic appointment er he subsequently after he left namex lived on royalties journalism the occasional American lecture tour his wife Dorothy remained in academia and had a distinguished career herself as a historian of Chartism while at namex Thompson didn't and er simply devote himself to er academic work he was also he went on being a political activist er he writes a series of er er sorry i've lost my place there er [sniff] in the early sixties the new left which i just described as this formation of b-, of of anti- Stalinist Marxism that comes out of the break up of the C-P and er the Communist Party in nineteen-fifty-six er the new left splits apart er in the early nineteen- sixties and there's particularly a fall out between younger Marxists on New Left Review and that group of people who are now much older Marxists very much older Marxists still control New Left Review and the people who'd set it up originally Thompson and his friends the younger Marxists embrace a kind of structuralist Marxism that's coming out of France at that time i'll say more about that later but Thompson defines during the er er er these years he defines a distinctive relationship to Marxism he writes a series of er polemical essays directed at these structuralists on New Left Review notably his essay on the peculiarities of the English in nineteen-sixty-five and it culminates in his book or collection of essays but also the big essay in the book The Poverty of Theory in nineteen- seventy-eight and the an extract from The Poverty of Theory is also part of the text for the seminar and that essay was a polemic against the French Marxist philosopher Althusser who was all the rage among young younger Marxists so Thompson was doing Marxist argumentation as it were while he was teaching at namex he was also playing a leading role in the unsuccessful campaign of resistance to what he called namex University Limited that's to say the very close relations the university has always had from the start with er local and national and international business organizations er you probably all have some idea of the story of what happened perhaps you don't perhaps it's just disappeared in the mists of times i don't know but there was a student occupation of the registry they found a lot of files er that er some of those files er showed the Vice-Chancellor of the time er er going along with Rootes of Rootes yeah er and r-, and Rootes Hall er paying er a lawyer to spy on visiting academics who were talking to Coventry workers and stirring up trouble in Coventry factories so er that stuff came out er in fact i went along with Edward the night those files were found to the registry which was occupied by students er we lifted the files we took them home i organized the illegal distri-, those the university took out an injunction i organized the illegal distribution of these files while Edward wrote the polemics er about how the liberal university was abusing its position that little local campaign was er part of a much broader issue for Thompson about civil liberties and throughout the nineteen-seventies he's writing polemical journalism attacking the secret state er defending the right to strike defending the jury system which is under threat and so on and that in a way is quite surprising the the all this is informed by a quite surprisingly un-Marxist sense of the law as an instrument not just of repression but also as an instrument of resistance to repression there were real liberties to be defended he believed the final period of Thompson's life was dominated by the new Cold War from nineteen-seventy-nine by the second wave of the Campaign for Nuclear Disarmament in the early nineteen-eighties which owed a great deal to Thompson's skills as a pamphleteer and a public speaker and if i can put myself in the picture once again why not er er i went along to hear Edward talk in Leamington Spa that swept me off my feet and i spent the next six years more or less full time doing peace movement work and occasionally coming in here to lecture and somehow holding down the job er Thompson gave up history altogether er he helped to found and lead an organization called European Nuclear Disarmament which was all about getting up some kind of non-aligned dialogue between dissidents in the East and dissidents like himself in the peace movement in the West er and his critical intervention in all that was to talk about the importance to theorize about the importance of popular revolt on both sides of the Iron Curtain against what he saw and defined as the exterminist was the word he used the exterminist logic of the bloc system we all at that time of course thought that nuclear war was quite possible and would quite possibly happen quite soon that danger might seem quite remote now er but in the early eighties as twenty years earlier the idea that the Cold War confrontation had built into it a structure of exterminism had compelling force for millions of people and as i say Thompson gave up history altogether full time commitment to the peace movement he's eventually killed by a disease that he picked up while travelling in India which was always part of his kind of one of his places because of the importance of how he grew up as i er said er he died but before he died in nineteen-ninety-three he had time to complete a book on William Blake which was part of a lifelong engagement with the Romantic poets when he was here he taught a special subject on er the making of the English working class and the poets Wordsworth and so on er the book on Wordsworth was never written Thompson had originally intended to be a poet like his father and his brother er not a historian and he did write poetry he wrote a novel a not terribly good novel actually er but his poetic sensibility and craftsmanship went above all into his writing of history a contrast there between what i'm calling Thompson a poet of the past and what Marx said about where poetry has to come from i will come back to now it's clear i think from the sketch i'd given you already that there's an intimate link between history and political commitment for Thompson i'll talk about his take on Marxism a bit later nm0086: what i want to stress now is the kind of politics that turned Thompson on it certainly wasn't orthodox electoral politics he joined the Labour Party some years after he left the Communist Party but he was never active and he tended to be contemptuous of the kind of machine politics of the established parties though he did actually have Robin Cook working with him closely in European Nuclear Disarmament how things change [laughter] er it wasn't electoral politics it wasn't revolutionary politics either which probably is where i was coming from at the time i was with Edward and got rather impatient with him he was very critical of younger revolutionary Marxists in the nineteen-sixties and nineteen-seventies er though he continued to think of himself as a communist er and imagined a future transformation of society on liberal libertarian democratic communist lines he never thought the time was right for that though the key to Thompson's politics and to the politics actually of a whole generation of leftists that he belonged to was anti-fascism er he'd grown up in the late nineteen-thirties and the nineteen-forties in when the compelling thing was to be part of a popular front against fascism it was a politics of socialism in defeat the highest goal for the time being was to resist fascism and to defend democratic values the revolution the dream of October nineteen-seventeen hadn't been abandoned but it'd been pushed forward into you know a pretty unreal future and it remained there for throughout Edward's life so far as he was concerned the emotional touchstone of his politics as i said before was the cause for which brother Frank died the European resistance movements against fascism and whatever opportunities existed for a move towards some kind of democratic socialist outcome of the Second World War which Thompson would have argued there were real opportunities for for that to happen er those were decisively closed down of course by the emergence of the Cold War Thompson always had a profound sense that this wasn't actually a very good time to be alive one was if one was coming from where he was standing struggling on the margins of history to defend what you could of human values against a new Dark Ages that the Cold War threatened extermination possibly er when Thompson issued calls for political action he did it not in the language of socialism and social transformation he did it more in a in a more modest language of the defence of democratic values and of human survival the key terms are always resistance and the English working class is imagined in Thompson's study as a resistance movement against industrial capitalism just like Frank had fought in a resistance movement against Nazism resistance on the one hand and the other key word is protest yeah the whole of his politics is in fact summed up in the title of the pamphlet he wrote that had enormous mobilizing power in the early nineteen-eighties in the peace movement which was called Protest and Survive in difficult times the survival of human values or of humanity itself was about as much as you could expect but it req-, require a huge mobilization of human spirit and effort protest wasn't a one-off march down the street or a rally in Trafalgar Square it was a lifelong commitment to untiring activism nm0086: okay so er why does Thompson matter why am i going on about him well you can see one reason is that i'm totally intoxicated with the man and always was er and given his history it would be impossible for a course on historiography in the namex History department to leave him out or it will be impossible at least so long as i'm around er but where does he fit in to get more serious where does he fit in to the trajectory of the course i think the key point about Thompson is his rejection of structuralism all kinds of structuralism in the name of human agency when he's working in particularly in a Marxist tradition he's rejecting a s-, structuralist versions of Marxism but he's working at a time in the mid-twentieth century when much of social theory not only in Marxism but in non-Marxist social theory as well is very much into structuralist understandings of the way society works Weber's iron cage Talcott Parsons and American structural functionalism or the Annales Braudel's idea of the longue durée all these point to underlying often unrecognized determinants of human behaviour as being the secret of history against that Thompson is committed politically and historically to what is perhaps a very attractive reassertion of human agency against the power of the structures men were free within limits to make their own history Thompson as Thompson put it i think the the quote here is on the sheet i handed round er the conce-, he was defending the precious space of partial of partial free agency against structuralist notions of a history without subjects yeah a history in which we're just the playthings of the big forces now the most famous statement of er this humanist position is in the preface to The Making of the English Working Class which he saw as a process happening between the seventeen-nineties eighteen-thirties and he describes that process as an a-, an active process which owes as much to agency as it does to conditioning the working class he says did not arise like the sun at the appointed time it was present at its own making a very paradoxical phrase present at its own making that's to say it didn't simply this whole process doesn't simply reflect changes in the economic base Thompson was embattled against crude mechanical models of working class formation that you might draw out of The Communist Manifesto for instance er as being all about simply a process of massification in towns and factories for Thompson class consciousness far from being working class consciousness far from being an automatic reflex of workers' objective positions in the relations of production involved new ways in which individuals perceive themselves in relation to other people new senses of the self and a whole cultural revolution as it were in people's heads achieved through protracted struggles involving moral energy and tenacity intelligence creative reinterpretation of the social environment difficult choices of allegiance all kind of individual crises of conscience so it was a very morally er weighted process the process of the formation of class consciousness Thompson's insistence on situating on saying it's present at its own making the working class doesn't come from nowhere it's situated in long traditions of popular protest stretching back to Christopher Hill's radical movements in the seventeenth century and before now here this is the Communist Party history group talking this is Thompson working in a frame of reference that was v-, common to all the people in the Communist Party history group it actually much of it comes from Maurice Dobb's studies in the development of capitalism the details are on your sheet er but for Thompson late eighteenth early nineteenth century workers inherit a old and sophisticated popular culture er they aren't a blank sheet on which capitalism writes its agenda these men he writes didn't pass in one generation from the peasantry to the new industrial town they suffered the experience of the Industrial Revolution as articulate free born Englishmen like the people he'd been teaching in his W-E-A classes in West Yorkshire now Thompson's equally dismissive of the economic reductionism that's apparent in many non-Marxist accounts of popular protest Chartism was not a knife and fork question it's not simply hunger that drives popular protest popular protest can't be understood as many non-Marxist historians er understood it at the time as irrational outbursts of desperate people popular protest is about moral outrage at the imposition of above all for Thompson the anti-human values of the market the imposition against customary practices embodying values of human community so it's a great drama of a traditional moral economy up against the expansion of the capitalist marketplace the alternative rationality of the cash nexus probably the most famous er phrase in the preface to The Making of the English Working Class is er which you will all have heard i'm sure is i am seeking to rescue the poor stockinger the Luddite the obsolete handloom weaver the utopian artisan to rescue them from the enormous condescension of posterity now he doesn't just mean that we should seek to reconstruct the rationality of the actions of the poor rather than simply seeing them as victims of the great steamroller of progress he's also trying to say there's something more positive than that it's not just that they're not victims they actually may have something to teach us the history of popular protest may make us aware that apparently defeated and futile protest can embody values that speak to our own times the big structure of Thompson's thought is all about traditional attitudes precapitalist if you like attitudes to economic life being swept aside by the logic of the capitalist market but perhaps those precapitalist moral economies hold clues to what a post-capitalist society might be like so working class consciousness the working class consciousness he evokes in the making er represented a refusal of the value system or rather the amorality of market forces it is he writes at one point a resistance movement there's resistance again a resistance movement to the annunciation of acquisitive man and an insistence that human and community values er were of more worth than the anti-human categories of political economy of economic man nm0086: it would be easy to be swept along and i can say this with authority it would be easy to be swept along by the force of Thompson's rhetoric but criticism from more orthodox Marxists of Thompson's position from those er younger men er attracted to French structuralism on New Left Review is also worth listening to i've listed i think on the on the handout er some of those criticisms particularly Perry Anderson er Thompson's approach to class involved a rejection of the notion employed by moth mar-, by most Marxists that class has an objective existence prior to any subjective awareness of class you know the the distinction between class in itself and class for itself class as defined objectively and c-, c-, a class consciousness as representing people's consciousness a coming to a consciousness of their class position and interests now most Marxists use some kind some such distinction between objective and subjective class class in itself class for itself Thompson refused that language he argued that as soon as you concede that class that a class can exist without being conscious in some way of its existence then you're on the road to a mechanical Marxism in which class consciousness is simply given by the economic base not made by human agency class he insists in another of his famous phrases is not a thing it's a happening on the face of it this is rather a curious argument there's absolutely no reason in logic why making an analytical distinction between objective and subjective class class in itself class for itself must lead to proposish-, to the proposition that class consciousness that the process of a class becoming aware of itself as it were is mechanically determined by productive relations a structural definition of class doesn't necessarily imply any mechanical notion of how class consciousness happens class consciousness is a happening not a thing class in itself could be structurally determined class for itself could still be understood as a process a dr-, an open drama of the historical process to use one of Thompson's phrases something which emerges or fails to emerge but in so far as it emerges is human agency at work it seemed to more orthodox Marxists that by placing so much stress on agency Thompson was effectively rejecting the basic claim of Marxism altogether the claim that class struggle was very important in history and was rooted in relations of production and that that was the motor driving historical change Thompson always denied that he was er departing totally from his Marxist formation he always claimed to be some kind of a Marxist er he rejected the notion that class could exist objectively without existing subjectively and his rejection of that was not because he wanted to deny that class was all about the relations of production are you following me here not that he wanted to deny that class was rooted in the processes of production and the relations of production but that he wanted to insist that the relations of production themselves economic life itself wa-, was nothing but human relationships this was not there wasn't an economy which was an objective structure out there that human beings couldn't influence that determined what they did the economy itself was all about human subjectivity and agency what Thompson rejected was the mechanical implications of that favourite Marxist metaphor of the base and the superstructure the economic base political legal cultural superstructure Thompson the poet reacted very sharply against that metaphor so he writes on one occasion any poet could tell in an instant that trying to contain the fluidity of human existence in a metaphor out of a textbook of constructional engineering base superstructure must be constricting and deforming base superstructure the accompanying language of causal relationships between different levels of the social formation economy here polity law religion whatever that thinking about a society in terms of levels does violence Thompson says to the interaction of social being and social consciousness because it suggests a s-, distinct f-, sphere of the economic from which culture law social consciousness are in some sense absent in reality Thompson argues economic life directly involves all kinds of things relegated by the metaphor to the superstructure it involves the law you can't have an economy without law or not for long it involves religion it involves custom and practice rooted in cultural attitudes as he puts it in The Poverty of Theory reflecting on his study of the eighteenth century le-, system normally thought of by Marxists of of eighteenth century law which would normally be thought of by Marxists as belonging to the non-economic superstructure law he says didn't keep politely to a level but was at every bloody level it was imbricated whatever that means er it was mixed up with the mode of production and productive relations themselves as property rights definitions of agrarian practice and so on now he wrestles throughout his life with how you can express the relationship between social being and the material existence and social consciousness allowing the fluidity and the subtleties of real life how you can do that without abandoning which he didn't want to abandon a materialist insistence on the primary importance of the way in which a society feeds itself the way in which a society produces er on its er in d-, in in determining in in shaping the whole structure of its culture and mentality and the dynamics of the conflicts within that society the solution he found was to talk about not a separate e-, economic sphere but relations of production as a kind of kernel of everything else that happened in the society a bit of an acorn and oak imagery nm0086: whether in or not he found a more satisfactory way of avoiding a merely economic determinist Marxism than the structuralist Marxists who he criticized now appears to be much less important than the implications of his critique of economic determinism for any kind of Marxism the key argument of much of Thompson's work is that the abstract conception of the economy as something other than men and women working together in greater or lesser degrees of conflict and harmony and something which stands over and against human relationships an iron cage if you like with its own imperatives and demands its own laws of the market before which human beings have to bow down that that notion of an economy was itself very recent it was itself a historical product of precisely the rise of modern capitalist industry the major critique of that ideology this notion of an economy was itself highly ideological that was his point yeah er the major critique of that ideology would be found precisely in the alternative value system sustained by resistance movements of working people refusing to be dehumanized as hired hands refusing to become mere proletarians so that Thompson what's thomp-, Thompson's writing about is the discursive origins of economic man how did that phrase come into the discourse why did it come to seem a reality that the cou-, you could talk about the economy as something that wasn't that was different simply from certain kinds of human relationships now the process he's talking about is the process by which for example the word industry industry moves from being a word that refers essentially to a human activity industry is about industriousness and you're all being very industrious in still paying attention at this point in the lecture that's industry huh industry moves from that to being a thing a structure an institution an iron cage or the word society oh society what's society human fellowship it's a word that primarily in an earlier period describes fellowship companionship relationships among individuals yeah by the nineteenth century society is a big thing out there isn't it it's a structure mm er it's an object a system operating according to its own laws of motion so the point i'm making here is that Thompson's critique of the economic of the idea of an economy and of economic man and of laws of political economy Thompson's critique of the economic can be seen as opening the way to a historicization of all the foundational concepts of social science yeah the polity society the culture the culture nature distinction er this is er m-, much of the way we think that happened in the eighteenth century male female yeah the way we think that is a social product and s-, in its current form quite recent all this of course can be seen as pointing the way towards a post-structuralist historical practice yeah in which the point of critical history is not to find out what the structures were and how they operate right the economy society and so on not to find out these what these structures are but to explain how those concepts came into existence mm so you're not working with the concepts of social science you're explaining how social science is just the ideology of modern society yeah then you get into territory that we will get into next term when we turn to look at Foucault in which what the job of the historian is to do is to mine down and uncover the origins of the discourses by which we speak about the way power operates yeah but we can't then say well we'll explain how societies society whatever that is is developing by talking about the economy these concepts are themselves what we need to investigate how did we come to think in that way now that's a route Thompson didn't want to go down and i don't want to go any further down it now we will explore that much more next term yeah as to a history which is essentially an analysis of the production and reproduction of discourses yeah Thompson didn't want to go round down that road he clung to the Marxist notion that relations of production were fundamental to the ways in which society worked and he was content to avoid economic reductionism by insisting that the economy was not a separate level that it involved as he said all the bloody levels when more orthodox Marxists objected that this wasn't what Marx meant then Thompson began to lose patience with theological takes on Marxism Thompson was well aware that after the eighteen- forty-eight defeats Marx himself had moved away from a humanist position as expounded in his early writings towards more structuralist positions Thompson would argue that Marx's the writing of Das Kapital Marx's engagement with structuralist engagement with political economy investigating the laws of motion of the capitalist economy represented for Marx something of a capitulation to the very categories of thought which the working class movement and the early Marx had set out to challenge in the name of humanity and human agency when Thompson cites that passage from The Eighteenth Brumaire men make their own history but they do not make it just as they please he puts the emphasis on the first part of the sentence a more orthodox reading of The Eighteenth Brumaire stresses the second half of the sentence now you've all read The Eighteenth Brumaire haven't you so you should er be able to make a judgement about this but let me just sketch out for you so you can situate Thompson in relation to orthodox more orthodox Marxism the structuralist reas-, reading of The Eighteenth Brumaire is going to stress the but aren't they men make their own history but only under certain conditions for the orthodox Marxist agency self-determination are what are going to happen in the future that's what the socialist revolution will produce in the meantime however men are doomed to be playthings of forces they don't understand locked in false consciousness inherited attitudes ideas traditions which Marx writes weigh like a nightmare on the brain of the living so you know in The Eighteenth Brumaire they they do the English Civil War out of the Bible and the French er first French Revolution out of the Roman Republic and eighteen-forty-eight out of the first French Revolution and so on they're living in a mental prison of tradition the players in these games and that's a major source of their inability to understand what they're really at and therefore to be in control of the consequences of their own actions for Marx the past is a nightmare from which we're struggling to wake up and the revolution will be that wake up process that and the nightmare's a land of false consciousness a land of vast impersonal forces the poetry of the proletarian revolution he says yeah will be drawn not from the past but from the future let the dead bury their dead says Marx talking about all that junk past history a humanist reading of The Eighteenth Brumaire on the other hand would privilege the first part of the sentence men make their own history but only under certain conditions agency that is to say for Thompson is already with us and it's in agency that the ultimate meaning of history is to be found human agency for Thompson is too important to be booted into the future the past is not just a vale of necessity in which men are pathetic victims at the mercy of impersonal forces class struggle is an open undetermined process what comes out what eventuates does so through blood sweat intelligence energy now he's not arguing of course that men or women are in complete control the second half of the sentence is still there the outcome is often unintended nevertheless the meaning of history is to be found in the will and the action that precious space of partial free agency not in the triumph of impersonal laws of motion over the puny and confused efforts of human beings Thompson rescuing the poor from the condescension of posterity well it's the condescension that Marx among others that he's trying to rescue them from Marx's contemptuous dismissal let the dead bury their dead those old struggles are done and gone for Thompson the investigation of previous movements of protest and resistance wasn't just a record of failure it was a major resource for the future as i pointed out earlier Thompson never thought the revolution was round the corner he didn't expect to hear Marx's poetry of the future the time wasn't right for the audacity of revolutionaries kind of junking history starting off from year one and reinventing society out of pure reason time wasn't right for that kind of stuff for Thompson and this is true of the whole British school of Marxist historians much more generally the poetry was to be found precisely in the past in the capacity of human beings over centuries of oppression to resist to resist the iron logic of the structures that held out hope for the future it was a record of will and struggle and only partly defeated human values men Thompson writes are the and the phrase is there the ever baffled and ever resurgent agents of an unmastered history there's everything to play for ever baffled ever resurgent there's a deep sense of the tragedy of human existence in the way Thompson approaches thing alongside people's capacity to change the world or at least to resist any final triumph of the anti-human changes wrought by such malevolent forces as in his view free market capitalism or indeed exterminism what he labelled the military industrial complexes of East and West confronting each other with nuclear missiles in the nineteen- er - seventies and eighties now this is radically different from Marx's version of the idea of progress yeah for Marx come the revolution men will become their own agents they'll escape from the realm of necessity prehistory will end real history will begin you'll move into the realm of freedom you're not ever baffled ever ever resurgent you're finally triumphing over the weight of the past this nightmare that weighs down on the brains of the living you're taking conscious control of your destiny that's Marx's vision it wasn't one that Thompson attuned to the depressing realities of mid-twentieth century history er could give much meaning to Thompson had a decidedly jaundiced view of progress what did progress mean Soviet industrialization and the Gulag or the United States military industrial complex and exterminism ecological disaster capitalist globalism for Thompson the best hope and of both re-, surviving and resisting the anti- human logic of these systems wa-, lay in recovering some of the human values which had been defended by those who resisted the rise of that world system from the outset their battles clearly were unsuccessful but the values they fought for weren't altogether lost and Thompson history was all about recovering it mounting defences on the basis of those values confident not perhaps of any ultimate victory but that something could be atre-, achieved at least you could keep the struggle alive so that human beings could go on surviving which means being ever baffled but also ever resurgent and that really brings me to the end and it brings me to where i'm going to start my next lecture because that's the standpoint from which Whigs and Hunters set out to recover the history in Whigs and Hunters Thompson sets out to recover the history of a really very obscure group of people er foresters in win-, around Windsor in the early eighteenth century who are reacting against the onrush of capitalist property relations in and around the forest what i'll do in the first week of next term is explore some of the methods and the arguments of Whigs and Hunters and look at the some er but also look er perhaps more critically than i've done in this lecture at some of the major tensions and difficulties in Thompson's approach to history and on the bottom of the handout you'll see i've given you some advice about how to skip read Whigs and Hunters if you er can't bear to read it all er though you need to read a good deal of it but the advice is there